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Cake day: June 10th, 2025

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  • still not sure how to feel about the random fanservice-y shots…? they’re not really sexualized, except what Manatsu did with her phone…

    they seemed like they were hinting that Manatsu would find some other Harugon to date. Kuroe-chan could introduce them and return the wingwoman favor :P


    Writing-wise, it’s really interesting that (for now) the role of “truly loves you even if you look like a literal monster” goes to Manatsu, instead of the more-obvious Minami. Strangely enough, I think it actually makes it more believable, because outside of her fetish/kink she’s just a normal person. And even though she’s a good friend, she’s not romantically interested in Kuroe, so her love of Harugon is less motivated/biased than Minami might be. I’m fascinated to see how they reconcile this, and where they go from here!



  • it broke my heart when Jeffery had to say Vicky didn’t tell him anything…

    I think trusting Nonna to come back is a form of vulnerability, which is why Vicky is having such a hard time with it :c

    Nonna herself has been more of a supporting character, not actually getting that much focus devoted to her, but she got a decent amount this episode. The screen time she does get is very efficient at characterizing her though, and she really steals the show.

    I liked Baron Hanson’s little subplot more than I expected. They didn’t get redeemed–their actions were unquestionably selfish and entitled–but their actions were understandable, and it seems like they were able to begin to heal (especially if the items they sent were originally Dolores’s or intended for her).


    it’s kinda fun (and way less frustrating) that the typical rom-com miscommunication plot device gets replaced with straight-up not communicating (due to the premise); and all the main characters are pretty competent besides


  • I like that we’re explicitly stating the goal that Mizuka’s character arc is and always was about, and also giving us a more concrete “roadmap” for the rest of the season

    Ouka filling up the empty seat next to Mizuka is a cute (and symbolic) touch


    The over-the-top effects / reaction to Svietlana & Shizuku’s performance feels kinda hamfisted–not that I don’t like sincere portrayals, but rather it felt like an attempt to paper over something that clearly should’ve been (and textually was) conveyed naturally. I wasn’t expecting breathtaking animation, but that sequence did pull me out of the moment a bit.


    I love that there’s a 2x “being good doesn’t mean you’re good at teaching” thing going on here, both with Mizuka -> Sunflower Circus, and Lotus Circus -> Mizuka. … hold on, isn’t “technical virtuoso needs to learn basic soft skills” just Bocchi the Rock >.>


  • if they’ve been making all their phone calls from phone booths, then it means it’s basically impossible for anyone else to contact them (their spot getting taken seems less silly now too)

    and I guess the yellow brick road reference in the opening song was intentional! neat


    I love how the show has been constructed narratively–we’ve explored the supporting cast, and now we’re coming back (at the halfway point) to deconstruct Mizuka. The writing questions our previous understanding that she was “the best”, and teases that “the Lotus Circus” will get expanded upon. I was kinda expecting it to just stay backstory, so that’s a pleasant surprise. c:


    the comedic timing is still top-notch (beats to let things sink in, everyone talking at once, deadpan “in installments”, etc.)


  • I appreciate that this show is modeling good communication between partners; I’ll take as much of that as I can get

    that, plus we get some character development for her mom this time; I wonder if this is going to set her up even more to oppose Kuroe’s dad (also, surely that phone call he made is going to factor back in to the plot at some point?)


    This episode was strangely fanservice-y; it wasn’t gratuitous or anything but we did get multiple separate moments without more than incidental justification (+ Manatsu’s boob window at the very end??)… I guess it could just be a cute part of the romance, but it was odd enough to notice. (funny that this week’s episode of Love Unseen also had some, albeit extremely tame by anime standards)


    I was half-expecting Minami to suggest Kuroe come over to his house lmao

    does her transformation have a refractory period? … she seems to be able to handle a lot more emotion after she de-transforms



  • damn, I guess horseriding isn’t tomboy territory…

    I dunno how justified it was supposed to seem, but taking a child from her mother because “she looks like my dead child” (even if plot-logic says this means there’s a good chance she’s the same person) is so fucking sick and heinous. It does fit with what we know about some Ashburian nobles… I really really hope they don’t reveal Nonna as actually being their daughter, because it would distract from that point (assuming Nonna is just going along to shut them up).


    I know the episode is purportedly about “holding on” (to Nonna & in general), but most of the episode seemed to be about giving her reasons/ways to leave. I guess it makes sense that to set up Vicky making the choice to stay, it needs to be established that she has absolutely no reason to stay apart from her own free will. The contrast was pretty stark when she talked about wishing for her tranquil days to last forever, and then immediately establishing a means to escape on horseback. She’s going to have to pick one, even if she truly wants both :/


  • not lost on me that she was talking about the blush not working, only to immediately blush… I see what they did there


    I love that we’re getting even more makeup discourse (and also touching on revenge porn??). It’s awesome that we’re getting payoff for Rairi’s backstory instead of that just being an exposition thing. Her moment feels so earned (even though it’s only been 2 episodes!) because we’ve been shown her “true self” since the moment she walked into that classroom, and I just 😭😭😭 it’s so great, I’m so proud of her

    I love that it’s the people around her that really lifted her up, and I’m so glad she found people who weren’t shitbags and were willing to reciprocate what she was putting out


    last thing: if you’re boating, please wear life jackets, people >.>



  • Fantasy languages in media generally sound kinda silly to me, but they do have the benefit of not making VAs attempt to pronounce a real world language… I guess the better more believable of a conlang it is the more of a pass I give it (e.g. phonology/orthography rules, custom grammar, etc. instead of just word substitution)


    It feels like Vicky is doing all this not just for her own conscience, but to tie up loose ends? She’s clearly preparing to leave now, and all the foreshadowing hints at some kind of conflict between Jeff (& the Ashburians) and her old organization. All I ask is that Nonna gets to play some kind of role in the climax, given that they’ve been gradually building her up in the background…