Pikmin 4
Baldur’s Gate 3
Spider-Man 2
Street Fighter 6
Mortal Kombat 1
Dead Space and RE4 remake
The Talos Principle 2
And I didn’t even get around to Alan Wake 2, which everybody’s been raving about. Or that Dave the Builder thing. Or Lies of P. Or Jedi Survivor. And I guess I’m not counting the new Prince of Persia because that’s this year, technically. And I’m not into 2D Mario games, so I’m guessing skipping Super Mario Wonder makes me a bit of an outlier.
Look, I know it feels good to be jaded and edgy and cynical, but… yeah, no, it was an all-time great year for games in 2023. And a terrible year for the games industry. But the games? So good.
… your list is basically all “20+ year old franchise/licensed property”. bruh if there’s that little that’s fresh or origninal then I’ argue that’s a terrible year for games.
Talos Principle 2 does demand my attention though, the first one was stellar and still looks gorgeous.
So let me get this straight, Street Fighter 6 is a “20 year old franchise” so not fresh and original (it is maybe the biggest redefinition of the series since SF3, but hey). Somehow The Talos Principle 2, a direct sequel to a 10 year old game… not that.
But also, Dave the Builder, Sea of Stars, Hi-Fi Rush, Life of P, Lethal Company, Terra Nil, Humanity, Against the Storm… even going by new IP alone it’s been a great year. Not that I accept your premise, sequels and licensed games can obviously be, and indeed have been, fantastic and innovative.
I am very confused and you are either being disingenuous or so comitted to arbitrary requirements that any year is an equally good year.
“the nth iteration of sold-out BRAND that’s older than most people reading this that belongs to a genre so niche only its dedicated fanbase can tell what the hell is even different from the last entry is at least as fresh and original as the sole sequel to a one-off game that was actually made in this century” and “looking forward to an original game you liked getting a single sequel makes you a hypocrite for not also thinking the 2893598th BRAND niche game most people can’t tell from its predecessor is equally exciting” strike me as outright bizarre things to say and it’s weird and sad that when you reach for “fresh and original” the thing you come up with is [moldy franchise] [#].
After Cyberpunk I decided to be done paying $50+ to take up a quarter of my disk with a highly-acclaimed game that turns out to be the same old cookie-cutter 3D game with an expensive makeover. Anymore I mostly just play small indie games that friends recommend, and generally have a way better experience for it.
This was back when it was new - my thoughts the entire 30 hours I was playing were things like:
“Johnny Silverhand is more annoying than Jar Jar and I will do anything to not hear his stupid fucking voice anymore”
“this ‘hacking’ is one of the worst minigames I’ve ever seen”
“the setting is ripped straight from PK Dick and doesn’t feel like it really lends anything to the story besides ‘high tech stuff that looks flashy on screen’”
“oh the background i spend ten minutes consiering before choosing does fuckall about shit except slightly reword a few dialogs”
“my god, every single character is insufferable”
“oh wow, my inventory is full again already, and not a single thing in it is worth fuck for shit”
“these physics are just as shitty as that Witcher 3 game I wasted money on last year”
“this button feels really awkward to press when i need it but i don’t feel like editing the config by hand again”
“holy shit when will this cutscene be over? There we g- DAMN IT THERE’S MORE? STFU ALREADY”
It was buggy but the bugs were the least of my worries. I came away feeling like I was promised Mexican food and then was given a cold soggy leftover Taco Bell burrito, and frankly after having basically the same experience with the super-awesome totally-finished fully-patched all-dlc-included GotY version of The Witcher 3 I really don’t trust CDPR to fix shit.
I couldn’t get behind Tears of the Kingdom. Idk what it was, just didn’t draw me in. Couldn’t keep at it. Put in 10hrs and haven’t picked it up in…3 months?
I’m curious considering it’s currently at 96% positive, what about the reviews drove you away? For me, the game captured the feeling of playing Pokemon for the first time (Heart Gold) again. It was similar enough on a basic level to draw me in, but all the fundamentals and mechanics are totally different and bring a wave of fresh air to the stale Pokemon formula.
If you’ve played Pokemon on the DS and didn’t like it, this game probably won’t be your kind of thing. If you did though, Cassette Beasts has a lot going for it. It has creative monster designs, a cast of unique side characters with their own story quests, a very memorable soundtrack (including my most played song of 2023), a not-overwhelmingly-massive open world with plenty to do, and just a smidge of analog horror.
It’s not great! 2023 games that I have really enjoyed this past year have been Tears of the Kingdom, Cassette Beasts, and Hi-Fi Rush.
Oh, man, I had forgotten those were this year.
My list also includes:
Pikmin 4
Baldur’s Gate 3
Spider-Man 2
Street Fighter 6
Mortal Kombat 1
Dead Space and RE4 remake
The Talos Principle 2
And I didn’t even get around to Alan Wake 2, which everybody’s been raving about. Or that Dave the Builder thing. Or Lies of P. Or Jedi Survivor. And I guess I’m not counting the new Prince of Persia because that’s this year, technically. And I’m not into 2D Mario games, so I’m guessing skipping Super Mario Wonder makes me a bit of an outlier.
Look, I know it feels good to be jaded and edgy and cynical, but… yeah, no, it was an all-time great year for games in 2023. And a terrible year for the games industry. But the games? So good.
… your list is basically all “20+ year old franchise/licensed property”. bruh if there’s that little that’s fresh or origninal then I’ argue that’s a terrible year for games.
Talos Principle 2 does demand my attention though, the first one was stellar and still looks gorgeous.
That is a very weird take.
So let me get this straight, Street Fighter 6 is a “20 year old franchise” so not fresh and original (it is maybe the biggest redefinition of the series since SF3, but hey). Somehow The Talos Principle 2, a direct sequel to a 10 year old game… not that.
But also, Dave the Builder, Sea of Stars, Hi-Fi Rush, Life of P, Lethal Company, Terra Nil, Humanity, Against the Storm… even going by new IP alone it’s been a great year. Not that I accept your premise, sequels and licensed games can obviously be, and indeed have been, fantastic and innovative.
I am very confused and you are either being disingenuous or so comitted to arbitrary requirements that any year is an equally good year.
“the nth iteration of sold-out BRAND that’s older than most people reading this that belongs to a genre so niche only its dedicated fanbase can tell what the hell is even different from the last entry is at least as fresh and original as the sole sequel to a one-off game that was actually made in this century” and “looking forward to an original game you liked getting a single sequel makes you a hypocrite for not also thinking the 2893598th BRAND niche game most people can’t tell from its predecessor is equally exciting” strike me as outright bizarre things to say and it’s weird and sad that when you reach for “fresh and original” the thing you come up with is [moldy franchise] [#].
After Cyberpunk I decided to be done paying $50+ to take up a quarter of my disk with a highly-acclaimed game that turns out to be the same old cookie-cutter 3D game with an expensive makeover. Anymore I mostly just play small indie games that friends recommend, and generally have a way better experience for it.
After this supposed stellar update dropped that overhauled the game or when the game initially came out?
This was back when it was new - my thoughts the entire 30 hours I was playing were things like:
“Johnny Silverhand is more annoying than Jar Jar and I will do anything to not hear his stupid fucking voice anymore” “this ‘hacking’ is one of the worst minigames I’ve ever seen” “the setting is ripped straight from PK Dick and doesn’t feel like it really lends anything to the story besides ‘high tech stuff that looks flashy on screen’” “oh the background i spend ten minutes consiering before choosing does fuckall about shit except slightly reword a few dialogs” “my god, every single character is insufferable” “oh wow, my inventory is full again already, and not a single thing in it is worth fuck for shit” “these physics are just as shitty as that Witcher 3 game I wasted money on last year” “this button feels really awkward to press when i need it but i don’t feel like editing the config by hand again” “holy shit when will this cutscene be over? There we g- DAMN IT THERE’S MORE? STFU ALREADY”
It was buggy but the bugs were the least of my worries. I came away feeling like I was promised Mexican food and then was given a cold soggy leftover Taco Bell burrito, and frankly after having basically the same experience with the super-awesome totally-finished fully-patched all-dlc-included GotY version of The Witcher 3 I really don’t trust CDPR to fix shit.
Thanks for the write-up, sums up my experience with both games
I couldn’t get behind Tears of the Kingdom. Idk what it was, just didn’t draw me in. Couldn’t keep at it. Put in 10hrs and haven’t picked it up in…3 months?
The steam reviews for cassette beasts drove me away from it, what did you like about it? Also what’s your in game time, if you don’t mind me asking?
I’m curious considering it’s currently at 96% positive, what about the reviews drove you away? For me, the game captured the feeling of playing Pokemon for the first time (Heart Gold) again. It was similar enough on a basic level to draw me in, but all the fundamentals and mechanics are totally different and bring a wave of fresh air to the stale Pokemon formula.
If you’ve played Pokemon on the DS and didn’t like it, this game probably won’t be your kind of thing. If you did though, Cassette Beasts has a lot going for it. It has creative monster designs, a cast of unique side characters with their own story quests, a very memorable soundtrack (including my most played song of 2023), a not-overwhelmingly-massive open world with plenty to do, and just a smidge of analog horror.
I have ~30 hours in it iirc.