Most of my photography has been of relatively stationary subjects, where I just use single-servo AF and either focus & recompose or move the single focus point to where in the frame I want the subject, or largely-individual sports like triathlon. But I’ve struggled getting sharp shots in team sports photography with a large number of moving people in frame.

If I try using continuous autofocus, it often focuses on the wrong subject or the background or seemingly nothing at all. If I try falling back on the techniques that work in other contexts, I usually just can’t get the shot off at the right time.

I don’t really understand the different autofocus options on my camera. I was mostly using what it calls “3D”, but I also briefly tried “group-area”. I don’t really understand how group-area differs from d9 or even 3D. And my camera’s manual doesn’t clear things up for me. I spent a little while in manual autofocus with a fairly closed aperture, by using autofocus and then switching to manual and leaving it untouched; but this only worked when play stayed roughly the same distance from the camera for a while, so didn’t really scale well.

Separate from the focus question, I spent the afternoon shooting at 1/1600. I’m not completely sure if this is fast enough, and maybe some of the blur in my photos is actually better explained by camera shake (shooting at 200 mm on a 1.5x crop sensor) or movement of the subjects. I suspect it’s probably not relevant, but I thought I’d mention it just in case.

What’s the best advice for how to get sharp shots in team sports photography?

(Included photo is a SOOC jpeg of a set play on the opposite side of the field from where I was…a situation that minimised my chance of focus problems.)

  •  Chahk   ( @chahk@beehaw.org ) 
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    15 days ago

    Shutter speed is only half the equation. What’s your aperture set to? If you shoot wife-open (lowest f number) on a fast lens (e.g. f/1.4), the area that is in focus will be too shallow, and the camera’s AF will have trouble locking onto fast moving subjects. Step it down to f/4-f/8 to get more of the area in focus,and get the shutter even faster to 1/4000 or even 1/8000 to freeze the motion. Of course if you’re shooting indoors that would require cranking up the ISO to compensate, which may introduce noise. It’s a matter of finding the right balance.