• atro_city ( atro_city@fedia.io ) 
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    1 year ago

    Isn’t the problem with Netflix that nobody can count on a second season no matter how well the first season does? So many good shows have been cancelled after the first season because Netflix doesn’t collect data correctly. And it’s now a self-repeating cycle:

    • everybody knows Netflix will cancel great shows
    • people choose not get invested in shows
    • shows don’t do as well as they could
    • Netflix cancels the show
    • rinse, repeat

    I didn’t notice I was doing it too until an article popped up (Forbes wasn’t the first) and it clicked: I wait for at least 2 seasons and an announcement of a third before watching a Netflix series, otherwise it’s just a waste of time. Evidently, others do it too.

    • Pyr ( Pyr_Pressure@lemmy.ca ) 
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      1 year ago

      Shows need to be greenlit and funded for at least three seasons after the decision is made to film it in my opinion.

      Just trying out one seasons to see if it sticks is not the way to go.

  • Disney+ learned this lesson, and for the Marvel shows at least, they’re going back to yearly releases. Daredevil Born Again season 2 is well into production right now and will come out again next March, for example.

    I am 100% out on Netflix shows for this reason. It’s been how many years since One Piece live action came out? It’s been how long since the last season of Stranger Things? No one gives a shit anymore.

  • GooberEar ( GooberEar@lemmy.wtf ) 
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    1 year ago

    This is only tangentially related, but it touches on why I barely trust new shows anymore.

    I kept hearing praise for a show called Severance (not on Netflix, though) and it sounded like it was something I’d like. Still I resisted the urge to watch it. It wasn’t until several fucking years later, they released a second season.

    So, after the second season came out, I figured I’d give it a go. The firs season left me irritated because the season finale resolved almost nothing, left everything open. I’m pissed just knowing how betrayed I’d have felt if I had watched the show when the first season came out and then just got left hanging for years.

    Then I watched the first episode of the second season, which fortunately provided some answers, and decided, fuck everybody involved with this project. I’m not getting invested because the potential for them to do another non-answer cliffhanger and just leave fans/viewers without any type of closure is just too much.

    But back on topic, yes, I agree, Netflix quite often takes too long to release follow-up seasons on a lot of shows I watched and liked. I know some of it is outside of their control, but it seems to happen quite a bit to the point where I do wonder how much of it is actually out of their control.

    • chaos ( chaos@beehaw.org ) 
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      1 year ago

      As the other comment said, Severance is going to get truckloads of money for the foreseeable future, it’s one of Apple’s biggest hits. And the delay for the second season wasn’t intended; it sounds like they weren’t happy with much of the second half and had to go back to redo it. That being said, I won’t spoil it too much but

      Tap for spoiler of... tone I guess

      the second season does also end on a kind of “wow, what’s the fallout from this going to be” note, so if you were bothered by the season 1 ending it might hit the same nerve.

      • GooberEar ( GooberEar@lemmy.wtf ) 
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        1 year ago

        I appreciate the warning, it lets me know I made the right choice to stop watching. Perhaps, when the series is concluded and I can be confident that there’s at least some resolution to be had, I’ll feel more confident and return to finish watching.

  • Jo Miran ( JoMiran@lemmy.ml ) 
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    1 year ago

    Apple TV+ has it figured out with Slow Horses. The last episode of the season always ends with preview scenes from the next season, which means it has (at the very least) already been filmed by the time the current season has aired.

    PS: Cancelling ‘The Recruit’ is bullshit and why I avoid Netflix series unless they have very self contained seasons like ‘Sherlock & Daughter’, or have been renewed with a final season commitment. Again, Apple TV+ does well here with Silo.

    • The solution is to stop giving Netflix money. They greenlight new IP and tell everyone “just be glad you’ve got a speaking role. Here’s SAG minimum.” Then when the contract comes up again after season 2 for renewal they say “fuck no you’re not getting a raise - we’d rather cancel the show after a cliffhanger than actually pay our talent. Btw your royalties contract isn’t good for streaming revenue LOL getfuked”