• Malgas ( Malgas@beehaw.org ) 
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      12 hours ago

      TIL The Pitt isn’t an ER spin-off/sequel.

      Obviously I’m not really into either, or I’d have probably noticed before now that Noah Wiley plays two different characters.

            • ohulancutash ( ohulancutash@feddit.uk ) 
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              2 hours ago

              Their contention is that WBTV recruited John Wells (ER Showrunner), R Scott Gemmill (ER EP/writer) and Noah Wyle (ER star) to develop an ER reboot. This isnt in question and all have been open about it.

              The dispute is that when the ER reboot fell through, Crichton claims that they just carried on with the show under a different title. WBTV, Wells, Gemmill and Wyle claim that it is a wholly different project that did not evolve from the ER reboot, but just came along immediately after the reboot fell through, with the same group of people.

              • I forgot that the estate owned these people’s minds, experience, working relationships and future products.

                What is their argument apart from base slavery? That four people were hired to be creative, were creative, and ended up making a show?

                Crichton gets rights to his creative work but not those four?

                Anything I’m missing?

                • ohulancutash ( ohulancutash@feddit.uk ) 
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                  2 hours ago

                  Yes, a lot clearly. They were hired to work on an ER reboot, which means that any work they did for that project is derivative of the rights held by the Crichton estate, which therefore has ownership stake and under their contract, any use of that material had to be approved by Crichton or his estate.

                  If The Pitt is proven to be the ER reboot reskinned, the Crichton estate are owed ownership stake, and a payout for violation of their contractual rights and for copyright infringement.