Imagine that your friendly local game store has a sale and you see a great deal on a game by one of your favorite designers. You know nothing about the game besides the designer’s name and that it’s a decent price. You are in a hurry, no time to research, buy it now or miss out.

Which designer’s game would you most likely purchase blindly based only on their name?

  • I don’t think I have the gene which lets me blindly trust someone with a transaction, heh. I research every game I buy. My money is guaranteed to be worth something. I want to know my game will be worth something in exchange.

    That said, Volko Ruhnke, Eric M. Lang, Corey Konieczka, Rob Daviau, and Vital Lacerda are some of my favorites who are still active.

  •  donio   ( @donio@feddit.de ) OP
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    1 year ago

    My picks: On the lighter side Phil Walker-Harding. The game might be end up being light but it will be very likely enjoyable. On the mid-weight side it’s probably Simone Luciani or Daniele Tascini or possibly someone else from the Italian-style euro designer group (T-series, Grand Austria Hotel etc). I’ve liked pretty much everything I’ve tried from them so far.

  • The question a few weeks ago was fave designer and then I went with Sackson. But Sackson does have his fair share of duds, and now that this time it’s more of a question of highest floor, I have to go with Richard Garfield, probably better known as Pheldagriff. Each of his games bring something new and interesting to the table.

  • Friedemann Friese. They’re not all great, but they’re all at least interesting.

    It’s always good to see where his head is at and what rabbit hole he’s going down.

  • @donio I think my best hit rate is with Cole Wehrle, but I’ve sat and thought about this for a bit and I think I run into the issue that I generally only bat about 50% on any designer that does more than a couple games. There always seems to be something that they do that makes me go “no, you sort of missed on this one…”

    For example:
    - I enjoy Roads & Boats, Indonesia, and The Great Zimbabwe, but Antiquity/FCM/Bus all fell flat to me after a play or two.
    - I adore Root/Pamir/JC1 but An Infamous Traffic was not good, and Oath was not worth keeping (and I skipped JC2 after playtesting).
    - Glass Road/Ora & Labora/Bohnanza/Patchwork I like a lot, but I got rid of Caverna, Agricola, and I’m still deciding on the new Canal game.
    - Twilight Struggle/1989/1960 I adore, and a bunch of other Matthews games I got rid of.
    -- Glory to Rome, Innovation, and Mottainai are respectable, but The Bird and some others just sort of miss the mark I’m after.
    - John Bohrer is on a 30% hit rate and I think I still have like 3 or 4 of his Winsome games.

    There are some designers who I don’t bother with at all anymore, because their style just doesn’t mesh with me at all, and that’s great cause there are other people who like those, but if we’re talking about “who is your go-to” then that’s tougher to say.

    • My list looks similar. Splotter is at the top. I did preorder Horseless Carriage back before we had much info about it and don’t regret it. John Bohrer would be up there as well, but though various connections I’ve played enough Winsomes to know they aren’t an instant buy. (Iberian Railways, Italian Railroads, and 1836)

      Tangent, but I’m very split on 1836. The opening is incredible, but once you get past the first stock round all the interesting decisions have been made.

      • @Profilename1 lol, yeah, Italian Railroads was… “not good” and would require more development and changes if it were to get licensed (IMHO). I did recoup my cash on that one at least. I actually *did* like Iberian Railways though, but it requires a very careful reading of the game and John’s explanation that you *want* to make and break ties as ties score for those tied in each category and you can even tie yourself in some categories and score extra points. That’s the point of the game, but it’s buried in an explanation note that I’m not sure many have caught. I actually pointed it out to Ken Hill and it was revelatory (and that was AFTER the licensed it and announced it on BGG). Southern Pacific is the one unlicensed Winsome I still have, and it’s about shuffling/suitcasing money to your advantage, but it has a very narrow “good” player count in my mind, and some terrible accounting…

        I haven’t even cracked open Horseless Carriage yet. I have the errata package taped to the back side of the box currently… That’s a fall task I guess.

  • Mac Gerdts, I own almost all of his games and it’s fascinating how elegant they are… most of the rules fit in an A4 paper, you can explain them in less than 15 minutes without ambiguities and the gameplay is really interesting, leaving you with a lot of decisions to take…