It’s a slightly click-baity title, but as we’re still generating more content for our magazines, this one included, why not?

My Sci-fi unpopular opinion is that 2001: A Space Odyssey is nothing but pretentious, LSD fueled nonsense. I’ve tried watching it multiple times and each time I have absolutely no patience for the pointless little scenes which contain little to no depth or meaningful plot, all coalescing towards that 15 minute “journey” through space and series of hallucinations or whatever that are supposed to be deep, shake you to your foundations, and make you re-think the whole human condition.

But it doesn’t. Because it’s just pretentious, LSD fueled nonsense. Planet of the Apes was released in the same year and is, on every level, a better Sci-fi movie. It offers mystery, a consistent and engaging plot, relatable characters you actually care about, and asks a lot more questions about the world and our place in it.

It insists upon itself, Lois.

  • I think this might be a truly unpopular opinion, but I could not get into the expanse at all. Just never got invested in the characters enough to stick with it. I’ve retried watching it 4 times due to everyone recommending it, kind of given up now!

    Also the latest star wars films killed any interest I had in star wars.

        •  Adama   ( @Adama@kbin.social ) 
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          The books are great. Show does a good job moving the intrigue and conflicts to a screen but man if Avasarala and Amos aren’t the absolute best portrayal of those characters.

          Avasarala has a heart of gold and a fist of iron in equal measures.

          This means she’ll do horrible things (even at her own expense) for what she believes is right and she doesn’t put up with any kind of nonsense.

          And yet she plays the political game so well all while pretending she’s above it.

          And the Shohreh Aghdashloo knocks the character out of the park. Every move and word both foul and sweet personifies the character in the book that it’s impossible to convey how absolutely masterful the performance is.

          And Wes Chatham as Amos is a close second. A man whose moral code is simple because he’s broken, knows it, and so he defaults to “who is the most likely good person I can use as a guide.” Chatham portrays the violence is necessary like doing the laundry.

          Turns it on, does the job, goes back as if nothing happened. Oh, I should do this instead? You got it boss.

          Or how he conveys in the simple things how Amos feels there is a moral right but having grown up as he did it’s hard to know what that is and who has the authority to enforce it it just chefs kiss

          What? Stop beating this guy? Ok. Sorry fella, buy you a drink?

          • And the Shohreh Aghdashloo knocks the character out of the park. Every move and word both foul and sweet personifies the character in the book that it’s impossible to convey how absolutely masterful the performance is.

            I loved every moment she was on screen, totally captivating. Great costume design, script writing and acting all together.

      • All I can do is apologise, I really tried, so I’m going to chalk it up to a me problem. Desperate for a good Sci fi series as well, that’s the most annoying part!

            • Oh, oh, I have an unpopular one right here.

              Battlestar Galactica’s ending is worse than Game of Thrones, by quite some margin, and it absolutely ruins everything that came before.

              • I dunno that I’d rank it worse than GoT myself but I did really hate that ending.

                Honestly between Lost, BSG, and GoT I’m kinda burned on endings generally. I can’t really think of a show that isn’t a super short limited series that I’m like, that ending was great!

                • It’s so tricky isn’t it, so I watched bsg and lost way past their initial airing and the hype and I found I didn’t love either of the endings but I didn’t mind them either. And overall I still loved the series and the characters.

                  I think in terms of long series endings maybe breaking bad?

              •  Ni   ( @Ni@kbin.social ) 
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                Honestly bsg’s ending wasn’t amazing, it didn’t end anywhere near as strongly as it started. But I didn’t hate it and I was invested enough in the characters that I wanted to see what happened to them all. I also found the overall series, world building, characters etc. far out weighed the ending itself for me.

                I often find endings to series, like got, are lacklustre. Finding a beautifully crafted series from beginning to end is so rare.

                • I guess that depends a lot on your perspective on narrative and the world in general

                  [SPOILERS], I guess, I don’t see a content warning tool in this editor, but someone let me know if I’m missing something and I’ll edit this.

                  I happen to be an atheist. Non-beligerent, definitely not an “internet atheist” type, but I just don’t believe in a supreme power, so it’s always jarring when a narrative thing ends on a note where they assume that of course in this years-long debate between mysticism and reason the figure matching the Christian deity is the right answer.

                  It’s not even annoyance at there being religious people or anything like that. It’s just in my world when somebody raises “well, it could be God intervening in our lives”, that is obviously the wrong answer unless you’re in a show where Christian mythos is explicitly established as a fantasy trope (say, Supernatural or Buffy or whatever). If you just spring that stuff on me in the finale you’re already losing me, even before you use it as a plot device to deus ex machina all the garbage and loose ends you couldn’t figure out during the show’s run.

                  So yeah, I’ll take “we’ll make the omniscient hemiplegic kid kid and the cool dragon lady a nazi because the outline says so and we have better stuff to do than wrap this up” over “God hates robots and that’s why all this happened, I dunno”.

    • That means you’ve missed out on Andor, which I think is better than any live action Star Wars (including, perhaps controversially, Empire Strikes Back)!

      It’s mature, deep, detailed, grounded, and very political. The characters and world are built up phenomenally, and it’s much more contemplative in its pacing, and it definitely treats its audience as intelligent rather than beating them around the head with obvious exposition. It feels more like an HBO show than your standard Star Wars affair, frankly. And it works as a standalone, too - it’s not just yet more Skywalker family drama.

      • I’ve always loved anything Star Wars that didn’t really involve Jedi. The universe is incredibly diverse and interesting, and cutting out the light side vs dark side trope most star wars content is centered on lets writers make really interesting characters and situations. Like in Mandandolrian the scene with Bill Burr confronting the Imperial officer that spearheaded the Burning Khan massacre was just fantastic, regardless of it being star wars.

        • Like in Mandandolrian the scene with Bill Burr confronting the Imperial officer that spearheaded the Burning Khan massacre was just fantastic, regardless of it being star wars.

          Bill Burr crushed that entire episode. He showed acting chops he’s rarely had the chance to flex before, honestly. The guy is so self-deprecating in his humor, almost aggressively so, that it’s easy to miss his talent. Heck, I did, and for a damned long time.

      • You ads selling that to me! I don’t have Disney + so that might be an issue. I loved rogue one, but that was the last star wars thing I enjoyed.

      • You know how OP said 2001 was pretentious nonsense? That’s how I felt about Andor. It was actively bad, and I struggle to see all the praise it gets as anything other than Morbius level trolling! It was badly written, badly plotted, was trying to be about three things at once and didn’t do any of them well, and was about six episodes too long. It’s what really turned me off Starwars!

    • If you are least made it past s1e4 CQB then you gave it a solid shot. That episode imo is where you either pick it up and like it or move on. The first 3 episodes can be a bit slow and introduce so many characters.

      • I’d heard it was a bit hard going until episode 5 so I always try and get to that point but I don’t think I’ve got past. At this point I’ve rewatched the first episodes too many times

    • You’re valid. It took us a couple tries before we really got into The Expanse.

      As for Star Wars, we stick with the Dave Filoni shows now. If I may suggest, try a Clone Wars rewatch with a viewing order that emphasizes the story arcs. That’s what brought me back to Star Wars, and I hated the sequels and the prequels.

      • Thank you, I appreciate the star wars watching suggestions! I’m more of a trekkie but there are elements of star wars I love, they just became less and less with the latest films!

    • Unpopular? Yes. Wrong? I don’t think so. I finished The Expanse and at the end I didn’t feel like it added anything to my life but I didn’t hate it either. There was definitely some standout moments but I would not rewatch it.

      • Interesting! I’ve only ever heard people sing it’s praises, so I’ve definitely felt in the wrong for not loving it. Someone else suggested the books so I might try reading them instead of going for the 6th rewatch

    • I would say that while the show does a fantastic job of bringing the books to the screen, it misses the interpersonal intimacy that makes the book series so fantastic. The plots are cool, but at its core, The Expanse is really about its characters. If you like to read or listen to audio books, I HIGHLY recommend them. A big part of where the show fails, is it was impossible for them to tell the story and also deal with the internal dialogues of each character. In the books, every chapter is told from the point of view of a specific character, so you get to know their inner thoughts and feelings on an extremely personal level.

      This is one of those series where I will tell someone that if they read the books and enjoyed them, they would enjoy the show - and vice-versa. That said, if you didn’t enjoy the show for the reasons you stated, and you’re willing to give it a go, I think you’ll probably enjoy the books.

  • My sci-fi unpopular opinion is probably that I don’t consider Star Wars to be sci-fi. It shares more with fantasy in that it’s more character and story driven and less about philosophy and the way technology changes the human experience which imo is what defines sci-fi.

  • My unpopular opinion is that I don’t like space operas. I’d rather read pages of explanation of technology and world building. I don’t care that the star princess in exile has to assemble a rag tag bunch of fringe worlders to take back the throne from the cruel council of the galactic core. How dat engine work tho?

    • Seriously most of these stories might as well be written by AI for how original they are. I am trying to read scifi and fantasy for the originality that just doesn’t exist. Authors will even accidentally add great ideas to the books on background characters or in random world details and do absolutely nothing with them. They instead will repeat the most generic trope driven story every. They might aswell be plagiarizing for how little their stories add to the genre at least then I could just throw their book away without trying to read it.

      • Seconding Three Body Problem for interesting setting/plot/actual fictional science.

        It will subvert your expectations more often than not if you’ve gotten tired of modern scifi tropes. It takes a lot of time to chew on what the ramifications of certain events would be to society, and it manages to include one of my favorite mystery plots in all of literature.

        Some people dislike the really hypothetical scifi elements but imho they serve an important and interesting narrative role. They’re responsible for creating the unique technological climate in the books.

        It’s not for everyone, but if that sounds good then by all means I recommend it. It’s a totally unique setting and style compared to western scifi that asks and tries to answer some very compelling questions.

      • Yeah, I initially thought it was a kinda silly premise of a guy being hit by a bus and turned into an ai to explore the universe, but Dennis Taylor really hit it out of the park.

  • I think sci-fi writers constantly make their stakes far too high, stack the odds far to heavily against the protagonists, and go for a scope far to broad. I don’t need 3 people to save the entire intergalactic population from a super mega back hole bomb with .002 seconds to spare. I’ve seen it and read it a thousand times.

    Give me the guy who thinks maybe his spaceship could take on exploring one planet, tell me what he finds and why it was wise for him to run home and call for extra resources to be redirected to that planet. Tell me how the technology of your imaginary world brought 2 characters together and allowed them to build a beautiful life together.

    That’s why I adore The Martian and can’t get excited about Star Wars.

    • This is exactly the problem I also have with Marvel movies. Once you’ve raised the stakes so far it’s impossible to go back without seeming less than your predecessors. It’s why Iron Man worked so damned well as it was a pretty small, personal story… same for most of the early Avengers movies. Ever since Endgame it seems like everyone wants to either make it even bigger still (???) or challenge these people who have saved literally the entire universe with… emotional trauma? I don’t know… I’ve seriously lost interest.

      • Was going to recommend them, and also point out that they go pretty far in the other direction. Once I digested Long Way to a Small Angry Planet and kind of actively decided I was cool with her approach, I really enjoyed her stuff. That first one felt like a bait & switch in the moment, though.

          • My other unpopular scifi opinion is I hate Becky Chambers books with the fire of a thousand suns. Like I don’t just not like them, they actually make me angry with how twee they are.

            In general I feel that way about any “cozy” books, I also ragequit The House in the Cerulean Sea.

            • ME TOO!!! I HATE BECKY CHAMBERS SO MUCH!!!

              I’ve ranted on /r/fantasy a few times but her books are NOT HAPPY. I don’t know how to post spoilers here yet so I will not say everything I have to say about Becky Chambers, but in particular when you really examine A Long Way To a Small Angry Planet, she advocates for some pretty horrific things, and the ending either is pretty damn tragic or you are a huge giant hypocrite.

            • The House in the Cerulean Sea was written as a way to okay the taking of Native American children from their parents, so you didn’t miss out on liking it.

              I hate-read it for some reason and couldn’t get over how Hallmark sanguine everything was and how much of a bumbling idiot the mc was. Plus, he was gay and I resented his inclusion into queer lit.

  • 2001 book was great. Arthur C Clarke has always been my favorite author. I think Rendevous with Rama would’ve been a more approachable story to adapt into a movie. Full of mystery and curiosity. Creative direction could go wild on art without changing bay of the books story. Starts with a mystery, reveals bits and bobs in the middle, ends with mystery. Leaves you questioning. Chefs kiss.

    Haven’t really kept up with modern sci-fi opinion. So maybe my opinions are popular maybe not.

    I believe Ilium and Olympos are part of the greatest sci-fi story ever written. Far better than Dan Simmons Hyperion Cantos. It presents wild and imaginative futuristic ideas with insane scientific basis for them.

  • The Hitchhiker’s Guide to the Galaxy is highly overrated!

    The main characters were obnoxious, I didn’t end up caring about any of them, and quite frankly, I wished the towel guy had died at the beginning along with everyone else on Earth (except the dolphins). I wasted hours of my life over those 3 books!

    • I always thought the biggest problem was the marketing - John Carter is not a name that tells you anything at all about the film’s setting and I don’t recall anything much promoting it suggesting it might be that John Carter even if you did know the source material at all!

      But i am with you, it was a fun popcorn movie, and sometimes that’s what you really want

    • John Carter is such a fun romp, I think it really captured the spirit of old scifi, where things were a little silly compared to today bc they were really just flying by the seat of their pants imagining space travel and other planets. It was a real melding of scifi/fantasy. Today, we’ve seen pictures of the surfaces of those planets, and now current scifi is more like reading a thesis (nothing wrong with that), where the author really delves into the science, so the old stuff does seem corny. But it’s great. It’s like Jupiter ascending but good

  • I don’t care for Deep Space 9.

    Characters were mostly bad and uninteresting - they had to bring back worf. Limited plots stuck on a station - they had to add a ship. Then start a war just to have something to do.

  • A lot of sci-fi (at least where TV/Films are concerned) keeps getting too bogged down in what it thinks that it should be, and doesn’t actually try to explore new possibilities or expand much, which generally means that the quality of sequels progressively gets worse, and the show ends up being a sort of even mush vaguely resembling the original.

    The main example I could think of is probably Star Trek. It’s too fixated on everything as it is, so even things that are supposed to be radical changes just re-establish the status quo with a new coat of paint. A radical show with radical viewpoints would never take off, as newer iterations would try to emulate the success of the show, and keep to the old.

    It’s part of why later Star Trek shows seem to be a bit more conservative, by comparison. Sure, values have changed since the original show, but the level of radical progressiveness has also gradually wound down too. Compared to the original show, which tried to push things from all angles, something like Star Trek: Discovery would seem almost conservative. Most of its more progressive elements are fairly standard for the time period it is set in, rather than pushing the envelope like the original did.

    Similarly, all the shows end up trying to emulate the same formula, and even the same rough starship design. The Enterprise was originally specially designed and built to seem future-y, but many other of their starships since them seem to just be iterative designs on the original. Even one of them set 900 in the years in the future seems to have almost identical technologies, polities, and culture as one set in the 24th century. The visuals are different, but everything seems to be effectively the same under the coat of paint.

    Not having that baggage is probably why up-and-coming shows, like The Orville, tend to be able to get away with more, since there isn’t a previous Orville that it keeps trying to recapture, just yet, which should mean that it gets more leeway.

    From a non Star Trek standpoint, it’s also rather happened to Star Wars. The newer films are just trying to recapture the older films, rather than expand into their own thing, to the detriment of the films as a whole. The latest trilogy seems like a rehash of the old ones, down to having what is basically another death star, Rebellions, Vader-ish Masked Sith Lord, and Friendpatines.

    I don’t really have much of a solution, besides wanting the shows to just branch out more. I think Star Trek in the 32nd century should have gone with a brand new slate, where everything was different (from both an ideological, political, and technological standpoint), and the 23rd century ship that ended up there would be woefully outdated, not just on paper, but with the technology it was fitted with.

    Star Wars has a bunch of interesting things that it could run with, such as the aftermath of the major wars, where the Rebellion is now having to deal with multiple smaller wars from various factions under the splintering empire, or have to secure its place in the resulting power vacuum.


    One show that hasn’t succumbed to this as much is Doctor Who, but that had a major revamp in its 2005 revival which drastically changed the nature of the show itself. Still, it doesn’t seem to be particularly immune to it either. Behind-the-scenes, they’re suddenly going back to the old composer and old showrunners, and the main character doesn’t seem to evolve too much beyond “conflicted, but brilliant and eccentric hero”. It also seems to be slowly settling into its own ruts, as well, with the most recent run rather resetting a redeemed villain’s character development suddenly.

    As a slight tangent, I also feel like that considering the messaging of the show itself, there could be quite a bit of interesting mileage that could be achieved by having a companion who is a species that is normally an enemy. Maybe something like a Dalek.

    • I would be so happy with The Orville if it weren’t for Seth MacFarlane using the show’s casting as his own personal creepy Tinder.

      It’s really hard to watch the show knowing how predatory and gross the creator and main character are.

    • Arguably the only reason doctor who has lasted this long is because it does change so much. Regeneration, keeping the third doctor on earth, making the 6th doctor an asshole, all the things that changed with the new show, the fairy tale feel of the Matt Smith era, etc. Some are more successful than others ofc but I think if doctor who ever ends (again) it will be what you said - settling into one thing for too long.

      I really hope this new run does something unique instead of trying to replicate the original RTD run.

  • The writing in The Three-Body Problem is so dry that I could barely keep up with the plot due to being deceased from boredom.

    Totally a me problem but it just did not vibe with me. I could never bring myself to read the second book. Tho to be fair to Ken Liu I have trouble with translations in general and I’ve never read a translation of Chinese-language literature I did vibe with.

    • I think there are some forms of world building that just aren’t everyone’s cup of tea. It requires a certain willingness to be completely confused, lost, and aimlessly wandering with no discernable plot goal to get through something like 3BP, the first few episodes of The Expanse, or Chris Nolan’s Tenet.

      But can I tell you that holy shit, the reveal in 3BP is probably the single best set up and truly unexpected, shocking payoff for any fiction I’ve ever read. It’s just one of those “you can only experience it for the first time once” moments that will stick with me that I wish I could help other people experience.

      But I get it, the price you pay to get there is steep. That book is dense.

      • Yeah the weird thing is I love the Expanse and also Tenet and my favorite book is Gnomon by Nick Harkaway, a book in which you literally have no idea wtf is going on until basically the last 10%. AND I studied a bunch of stuff about modern Chinese history and the cultural revolution in college so I have some background on the politics! Like, I SHOULD enjoy it, on paper. It’s literally just the prose that’s ruining it for me.

        I actually really hope the TV show is good because I think I’d actually really enjoy it presented in a different format. Maybe I should try an audiobook.

    • Hah. I read the whole thing in pretty much one long sitting over a weekend, so I don’t think I quite agree. I was way more bothered by the obvious propaganda than I was about the writing or the translation. But then again that’s pretty frequent in all sci-fi, don’t think I don’t notice it just as much in US media.

      EDIT: I also don’t quite thing its game theory approach to the Fermi paradox makes too much sense, but once again, that one is shared with a lot of other hard sci-fi.

      EDIT EDIT: Oh, here’s a fun one: given the Prime Directive, Star Trek is technically a “dark forest” sci-fi setting. That one may need its own thread.

    • My big dislike of the Three Body Problem is somewhat meta. The Fermi Paradox solution that it presents, the Dark Forest hypothesis, only “works” in the books because the author made up a bunch of magic technologies and just-so scenarios to make it work. But ever since then /r/Fermiparadox has been overrun with “what about the Dark Forest??” shower thoughts.

      I guess it’s not so much a problem I have with the Three Body Problem as it is a problem I have with humanity in general.

      • Arguably it doesn’t work in-universe, either, as proven by the fact that… well, it literally doesn’t work, the dark forest is plenty bright by the time it all gets wrapped up.

        From a western perspective the idea that the entire planet would successfully suppress a Dune-style disapora because “either we all make it or none of us does” also seems absurd, but it’s not just a humanity prerequisite for the plot, it’s a universal prerequisite for the dark forest, at least if the technology rollout is somewhat plausible.

        Also, see above my point about Star Trek under the Prime Directive technically being a dark forest. Which is a funny meme, but also makes just as much sense as the TBP solution.

        But hey, it’s fun to think about for a minute and not that much wonkier than the Foundation or Dune takes on the same scale of problems. Except perhaps the slightly harder sci-fi approach making people take it more seriously than it deserves.

  • Not sure if this is a hot take or not, but modern Star Trek sucks arse. The magic died with voyager, everything after that has been trite and forgettable. And I’m not even talking about those god awful movies.

  • Deep Space 9 is and always was the greatest Star Trek series. Also I’ll go one more and say that I would take Sisko over Picard or Kirk any day of the week.

    In The Pale Moonlight (s6e19) sealed these opinions for me.

    • Idk if this is an unpopular opinion these days, the show seems to have had a bit of a reassurance. Back when it came out, the more serialized nature of it might not have worked as well, but in the age of streaming it’s aged amazingly. The only other Star Trek series I’ve watched are TNG and a bit of TOS, but DS9 has definitely been my favorite by far.