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Have you ever considered that the Prime Directive is not only not ethical, but also illogical, and perhaps morally indefensible?

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Cake day: June 11th, 2023

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  • This episode has quite a lot to like. Early 1930s New York City! Class tensions! The aftermath of World War I! The Cult of Skaro! British actors gamely doing American accents! Andrew Garfield!

    It also has mutant pig people, so I suppose it’s a bit of a wash.

    I actually can’t find much to say, really - it’s the first part of a two-parter, so it probably doesn’t bode well that I’d lost interest by the final act. A lot of the setup is pretty interesting, but at a certain point they’re mostly just chasing pig men through the sewers, which is…not exactly compelling.

    And in general, those pig men are a baffling choice that derail the whole thing. Yeah I get it, the Daleks were doing genetic experiments. But…they also could have just enslaved regular people? Have them do a little mind control, and you’ve made your episode far less silly, and less expensive at the same time! I suppose that would make it less palatable when they all get slaughtered next week, though.
























  • This has alwasy been a favourite of mine - high-concept nonsense at its finest.

    The core of a society spending their entire lives in their cars is incredibly on-the-nose, and I love it. RTD does what he does best, creating a world of memorable characters who each seem like they have full lives and personalities, with very little screen time. They really sell the absolutely absurd concept.

    I don’t think I’ve heard “The Old Rugged Cross” outside of this episode - Gospel isn’t exactly my thing - but it’s used well here, and I’m surprised to learn that it’s an American song, and not something with British roots.

    The “mood dealers” are an interesting idea, but somewhat underbaked. It seems like something they could have done more with, but here they’re mainly a plot device to explain what happened to the overcity.

    The idea of the Doctor bringing Martha back to New New New New New New New New New New New New New New New York is pretty solid, though I wish Martha didn’t complain about it the way that she does. The unrequited crush angle continues to underwhelm, even though it’s handled better in this episode than elsewhere. It’s helped along by the fact that we can see the Doctor fighting with himself, slowly opening himself up to her against his own better judgement.

    It’s also nice to see the Face of Boe one last time - I’ve always felt that the character is diminished by the Captain Jack connection, and treat him as a separate character.

    Oh, and Sally Calypso deserves her own spinoff based on her name alone.