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- artificial_intel@lemmy.ml
The 1994 James Cameron film True Lies starring Arnold Schwarzenegger was recently re-released in Ultra HD 4K disc format giving viewers the opportunity to watch these classic films in unprecedented detail.
Not only True Lies but Cameron’s The Abyss and sci-fi classic Aliens were also released on Ultra HD Blu-ray with Geoff Burdick, senior vice president of Lightstorm Entertainment, who tells The New York Times that he thinks they “look the best they’ve ever looked.”
But not everyone agrees.
“It just looks weird, in ways that I have difficulty describing,” the journalist Chris Person tells The Times. “It’s plasticine, smooth, embossed at the edges. Skin texture doesn’t look correct. It all looks a little unreal.”
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This reminds me of arachnophobia mode in Grounded. Harvophobia filter.
Steve Harvey at home.
Personally I think the example shot in the thumbnail looks worse after being “enhanced.” Arnold’s hair was a dead giveaway, shit just looks weird.
Came here to say exactly that. Tom Arnold also just looks plastic in the “enhanced” one.
It’s a freeze-frame of a high-speed action sequence with motion blur. You almost certainly wouldn’t notice in that second shot. Maybe in the first, which was a slower tracking shot.
That’s true.
I think my biggest gripe with it is that it looks like when I abruptly change my smart bulbs from warm white to cold white. lol. It’s jarring and unpleasant at first and definitely takes a minute or five to adjust to it.
The fabric on their suits also looks weird!
This is like early CGI effects in film. Some of those effects are the worst in film history (see Reptile from Mortal Kombat), and some were so good that we don’t even know CGI was used (See helicopters in Black Hawk Down). This is a new technology which is going to be abused majorly in tons of notable cases and we probably won’t notice the instances where it was used successfully.
The tech is clearly not sophisticated enough at this point to reliably enhance film images realistically. However, this technology at this stage of development would probably be excellent for old animation or films whose originals have been severely deteriorated.
Now wait for Gen A to grow up and start using bad AI smoothing as a desirable retro effect, like vinyl crackle, tape hiss or obvious autotune on vocals.
Looks like one of those paintings that are almost real. I don’t know what they are called, but damn.
I think you mean hyperrealism:
Thank you :)
I’m sure to make their point the authors chose some of the more egregious examples as stills for this article but godamn that really does look like shit. What were they thinking? It doesn’t even sound like a cost saving measure if the original negatives exist. The purported reasoning around it not being about the condition of the negatives but instead an opoortunity to improve on the original doesn’t make sense because you’d at the very least want to start with the original negs before “improving” the film and this phrasing makes it sound like they didn’t and considering the still in this article, it looks like they didn’t either. The way they describe the use of the technology maybe could be a net positive at some point, but this sure doesn’t seem to be an example of that. Did they just not have access to the negs or something? Was there some bizarre licensing arrangement that prevented them from doing this the traditional way? This looks so much more like an elaborate working around an obstacle rather than an even better than ideal value add kind of move. Like, if somehow all prints and copies of the film in existence disappeared except an old VHS this would be an admirable and impressive way to get to from that to a UHD release, but as a first choice option it seems like madness. It seems pointless to do this now until the tech is literally a superior result to a new remaster from the original film.
The long term goal is having an automated process to restore old films cheaply since doing it manually is a long process that requires expertise. A limited talent pool for a time intensive process is the obstacle they are trying to overcome.
They are not thinking about it from the viewer’s perspective, just how they can market that they did technically restore it with something that is passable as a quality improvement in the eyes of the majority of buyers.
South Park addressed this many years ago.
22 years ago… sigh, the cycle repeats, and repeats, and 🔁…
As long as a good job is done I think AI upscaling the movies and removing compression artefacts and such is amazing. And people who don’t like it can still watch the OG version.
The tech seems to work better with cartoons. But, it is not perfect either.
Looks fake as fuck. Also gave the dude more defined wrinkles with smooth skin in between. Uncanny valley shit.
Ryan added that Schwarzenegger’s and Tom Arnold’s faces look like they are “made out of putty.”
Duh. If the AI changed that, they would be unrecognizable.