Logline

La’An travels back in time to twenty-first-century Earth to prevent an attack which will alter humanity’s future history—and bring her face to face with her own contentious legacy.


Written by David Reed

Directed by Amanda Row

Note: This is a second attempt, as technical difficulties were preventing people from seeing the original discussion post. Apologies to the people who were able to comment in the original.

  • I thought this episode was fantastic.

    The pacing was good, the interactions between Kirk and La’an were fun, and the closing acts were a real gut wrench. Being forced through such a traumatic situation and completely unable to talk with anyone about it is a piece of the time travel/Prime Directive secrecy that Star Trek hasn’t really dug it’s teeth into before, and there’s clearly something very powerful to work with here.

    Also, hilarious use of their immortal chief engineer. In retrospect, no surprise that someone in that position wouldn’t maintain exactly the same hobbies and skills throughout the centuries, and also no real shock that this particular individual got her jollies stealing priceless artwork. And then arguing statute of limitations when she is challenged on it centuries later? Brilliant.

    I do not give the slightest of damns about a TOS one-liner placing Kahn in the 1990s. This is a good story which wouldn’t work properly otherwise, and that was a poor choice from writers who couldn’t have possibly known better. Absolutely do not care, and so much happier for it.

    After a fairly meh first episode, SNW S2 has reeled off a pair of real bangers. Looking forward to the next installment.

    • But they also managed to explain the moving of the Eugenics Wars as the result of time hijinks, some of which we’ve seen on screen. I think this is a credible explanation Star Trek can use for TOS retcons without being too dismissive of canon.

  • Kirk was superb, I don’t think I could have accepted the car scene if it was anyone else. It’s Kirk, of course he’s going to drive like a nutter. I was genuinely shocked when he got shot. I thought there couldn’t possibly be a way for him to make it but they still got me.

    La’an has grown on me so much, she was the one I was most dubious about in the early episodes of season one. I felt really sorry for her at the end, losing Kirk and being unable to talk to anyone about what she’s experienced. She’s gone through some pretty serious trauma already due to her genes and name and now she’s had to go through this pure insanity. I wonder what the significance of the watch is.

  • The more I think about this episode the more impressed I get. There’s so many small moments where they could have taken the easy, obvious choice and it would have been fine, and instead they were just a little more thoughtful and a little more creative and it shows.

    They could have just had Pelia push a secret button to reveal her stash of alien tech, and that probably would have been fine. Instead they show her as this woman who’s very smart and obviously immortal but otherwise…just a person living through history, which is so much better. Imagining the 250 years between the present and when she’s one of the most famous engineers in the fleet is fun.

    They could have had the Romulan agent just be a cold, ruthless assassin from the future who’s here to get the job done, and that would have been fine. Instead she’s this slightly unhinged woman, trapped out of time, stuck undercover on an alien world for thirty years on a mission that she’s not sure exists anymore and I love the way she starts losing it at the end, that she just wants to kill this kid and be done with it.

    They could have cast Khan as a hot 20 something available in the Toronto area and had him to a Ricardo Montalbán impression and give us a tense standoff, and I would have been annoyed at that, but it probably would have been fine. Instead they show us an actual child, and remind is that Khan was a horrifying monster, but he was created by a world with monsters of its own, monsters who built a child in a laboratory and raised him in a basement, and suddenly its a piece of implied context made explicit that I didn’t even know I wanted.

    And of course they could have just had Kirk agree to fix the timeline because its the right thing to do, or because he loves La`an, or because…honestly, because the plot has to happen, this is something that so many stories would just gloss over to keep the story moving. And instead we get one line, “Sam’s alive?” and my heart jumped to my throat a little bit and immediately we understand why he’s willing to go through with this.

    I’m really really impressed with the writers on this episode.

    • Lots of talking, probably. They probably spilled everything about their histories, and not just their personal histories, but the histories of their own universes. Thinking about that makes the ending all the more heartbreaking.

  • Okay there was a lot that worked for me in that episode. The amazing decision to have Pelia knowing nothing about engineering to being a veteran warp core engineer in 200 years. Going for child Khan and really leaning into the fucked up reality that these children were science experiments kept locked in basements for the first time in the franchise? The reminder that Toronto is actually pretty damn photogenic when it’s not shot on a CW budget.

    And you know what? Paul Wesley doesn’t have Kirks voice, and the script still doesn’t quite sound right, but he’s got the Kirk delivery really nailed. He doesn’t sound like Shatner, but he sounds like Kirk

  • I liked Wesley in “A Quality of Mercy” but hot damn, he nailed it here. He is easy to recognize as Kirk and yet is borrowing very little from Shatner’s performance. Wesley has managed to “echo” Kirk in a way that Peck and Gooding haven’t quite dialed in yet for their characters.

    It’s funny—given that in both appearances he has depicted an “alternate” Kirk, he’s had some built-in leeway to miss the mark and still be credible. He doesn’t need it. This man can play Kirk.

  • Did anyone else catch what looked like an unspoken, knowing look from Pelia when La’an appeared on the bridge after returning? Does Pelia somehow remember their prior encounter on Earth? Is it explicit, or more like the way Guinan would have an intuition, or a subliminal feeling? Or did I imagine that?

  • I really like Paul Wesley’s portrayal and the way Kirk is written. Honestly I can imagine this as a TOS episode with Shatner and co. Some more thoughts:

    While I was not sure about the chemistry between the two main characters, I bought into their romance and I especially liked the final scene with La’an: it was an earned moment and the actress was very effective in her delivery. I wish the two had spent some more time talking about what reality they should preserve but I guess saving your brother’s life is a good enough reason to risk everything. I would’ve done the same, tbh. Time shenanigans needn’t be explained, honestly I can believe that the Augment Wars were so destructive that we don’t know many things about the period; could’ve been in the 90s, could’ve been in the 21st century, there are real life examples of such gaps in the historical record, after all (and don’t tell me Sarah Silverman was around for the rise of Khan). Still, a welcome reference.

    I love Pelia, the accent, the delivery, the character backstory, it’s all really good and she is a very nice addition to the cast. I laughed when she didn’t know anything about engineering but it makes perfect sense. Imagine going back in time and asking a 10 year old Einstein to explain relativity to you!

    With the positive out of the way, I have to say that I liked the first half of the episode more than the second for the following reasons:

    I think they broke into that facility pretty easily. Why did the door open in response to La’an’s DNA? Isn’t Khan just a little kid? Can he enter and leave as he pleases? I thought he was like an experiment they are trying to keep under wraps.

    I did not like the antagonist lady and I especially don’t like the suggestion that Romulans have been secretly trying to keep humanity from reaching greatness. I always thought that one of the most important messages in the franchise was that humans were able to rise above their flaws and create a utopia but now it’s the Romulans who were keeping us down and we managed to reach the stars even against these odds. How inherently great humanity is… Not a good message, imo, but perhaps the antagonist lady was simply exaggerating.

    Overall a good episode. Kinda lost me in the second half but the final scene was a strong conclusion. Honestly, I can see myself re-watching this in the future.

    • I think they broke into that facility pretty easily. Why did the door open in response to La’an’s DNA? Isn’t Khan just a little kid? Can he enter and leave as he pleases? I thought he was like an experiment they are trying to keep under wraps.

      Seems Khan and all the other kids are probably derived from older Noonien-Singh DNA, considering the name of the facility.

    • I think it was less humanity’s greatness that allowed them to reach the stars in the alternate timeline and more of having no choice but to do so. Earth was a wasteland and they needed more resources beyond what was available in the rest of our solar system. La’an told Kirk at one point that he could be an explorer in her timeline, heavily implying humanity doesn’t do that in his.

  • Random thoughts as I watch (cross-posted from the old place):

    • Wow, first that outburst, and then Spock jams too much. Truly in his wild child phase.

    • BTW, was that a Denobulan?

    • Pelia totally worried that this whole utopia thing just a passing trend. And hilariously having to prove (?) she isn’t a thief.

    • They really are taking advantage of Babs O’s Jiu-Jitsu training this year, aren’t they?

    • Captain James T. Kirk, the greatest menace of Temporal Investigations!

    • Oh boy, alternate timeline where the Federation doesn’t exist time!

    • “Maple leaves, politeness, poutine.”

    • Clever distraction.

    • I wonder if 3D chess is a thing in the United Earth Fleet timeline, because Kirk is good at the 2D in it.

    • Okay, I guess they do have 3D Chess.

    • I generally try not to be like this… but goddamn I’d like to thank them for having Christina Chong in various states of tight clothing and undress.

    • Good thing the time travel guy went to the ship Sam Kirk was on.

    • Oh man, I was looking forward to driving across Lake Ontario to Toronto (presumably from Rochester or Buffalo or something, right?), which totally would be a logical economic and engineering choice, I’m sure!

    • Mildly annoyed that Kirk doesn’t drive to Beastie Boys.

    • James Discreet Kirk

    • Soongs gonna break in even to the timelines and series they aren’t in.

    • Jim Discretion Kirk

    • OH FUCK ROMULANS

    • We have gone (zero) days without Romulans trying to screw up the timeline.

    • Probably the first time that DuckDuckGo has been mentioned in Star Trek.

    • Yeah, Pythagoras is the worst, Pelia.

    • Oh, so this is a predestination paradox where they make her become an engineer and as a result she is there to inspire La’An to go look for her later.

    • KHAAAAAAANNNNNNNNNNNNNNNNN! KHAAAAANNNNNNNNN! (Or at least the institute for him)

    • To be fair, this is like the third face that Captain Kirk has had.

    • We have gone (ZERO) days without a time-travelling Romulan that had to ditch the ears.

    • We have gone (ZERO) days without (a) Captain Kirk dying. We’re three-for-three on Kirk actor deaths, folks!

    • KHAAAAAAAAAANNNN! KHAAAAAAANNNN! KHAAAAAAANNNNNN!

    • THEY CAME UP WITH AN EXPLANATION WHY THE EUGENICS WARS DIDN’T HAPPEN IN THE 90’S! THE MAD LADS DID IT!

    • Face to face with great-great-great-great grandpa Baby Genetics-Hitler.

    • Oh, great, temporal investigations. No wonder they hate Kirk so much, even his alternate versions screw stuff around.

    • Good ep. Way better than it sounded when I first heard about it.

  • Ah, well I had a more thorough comment typed out, but unfortunately that was on the thread that got locked and the app I’m using on mobile ate my response when it failed to post.

    The gist of it though was that I was pleasantly surprised by this episode, as I’m not usually one for the time travel themes. The ending was painful (as in, the writing was very well done) to watch and hit me harder than I expected!

    And it was also cool for them to reference DDG instead of Google, I’d be happy to see that sort of thing happen more often on TV.

  • Copied and pasted from my comment on the original thread that is still in my profile (I’d noticed something was up with the previous post but figured it would clear up with time)


    Nice character episode with a simple premise and a good amount of Pelia!

    I’ve always thought Trek is at its worst or riskiest when doing time travel stuff, but the tone and focus of this episode being on La’an and her relationship to her heritage really centered the episode. In a way it was a subtle, but strong, IMO, character driven plot point to have her struggle with finding for once a real intimate connection with someone destined to be lost and “forgotten”.

    Having Kahn appear as a child was low-key wonderful.

    What’s up with the watch? Is there more to Pelia than meets the eye? Seems she’s conveniently forced herself and her myriad belongings onto the ship for this particular time period while also (and I forget what Trek’s take on time travel is here) knowing about that watch being on board at this point … ?!

    Anyone else feeling a certain lack of Pike in the first 3 episodes? Not against it, it just seems somewhat conspicuous given that I imagine the character is half of the reason the show exists.

    • Anyone else feeling a certain lack of Pike in the first 3 episodes? Not against it, it just seems somewhat conspicuous given that I imagine the character is half of the reason the show exists.

      Apparently Anson Mount had a new kid right around the time the beginning of the season was filmed, and they decided to give him some extra time to handle that.

  • A little remarked side effect of time travel is that it causes infatuation (Kirk, in “City on the Edge of Forever”) and horniness (Spock, in “All Our Yesterdays”). La’An experienced both!

    Edit: I forgot about Bashir and Jadzia in “Trials and Tribble-ations” but honestly they just seemed to be acting in character!

    • La’An fell head over heels for someone who had never heard of her. Absolutely makes sense. An entire lifetime of being treated differently, because everyone knows. Even if they don’t treat her negatively, they still know.

      This Kirk was the first person since grade school that she met someone who didn’t know.

      Absolutely makes sense.

      • I wish we knew a bit more about her family. It’s notable that she is ashamed of the history of her name, but proud enough to keep it. One imagines there must be a strong line of incredibly stubborn people desperate to redeem the horrible deeds of their family’s past.

        • I don’t remember the exact name of that building, but “Noonien-Singh Institute For Improving Society” or something vaguely like that. I imagine, if they weren’t evil incarnate duping the masses, that they were probably a very proud family that did a lot to attempt to make the world a better place. Perhaps before the “socialist utopia” they were a very wealthy family that performed a lot of charitable work and did great things. Perhaps Khan and his siblings were simply a huge mistake that were unintentionally contrary to all the other things they did.