The moment that inspired this question:

A long time ago I was playing an MMO called Voyage of the Century Online. A major part of the game was sailing around on a galleon ship and having naval battles in the 1600s.

The game basically allowed you to sail around all of the oceans of the 1600s world and explore. The game was populated with a lot of NPC ships that you could raid and pick up its cargo for loot.

One time, I was sailing around the western coast of Africa and I came across some slavers. This was shocking to me at the time, and I was like “oh, I’m gonna fuck these racist slavers up!”

I proceed to engage the slave ship in battle and win. As I approach the wreckage, I’m bummed out because there wasn’t any loot. Like every ship up until this point had at least some spare cannon balls or treasure, but this one had nothing.

… then it hit me. A slave ship’s cargo would be… people. I sunk this ship and the reason there wasn’t any loot was because I killed the cargo. I felt so bad.

I just sat there for a little while and felt guilty, but I always appreciated that the developers included that detail so I could be humbled in my own self-righteousness. Not all issues can be solved with force.

  • When i first killed someone in DayZ back in the day, when it was just the ArmA 2 mod and all the hype.

    I finally found a gun and started to learn my way around the zombies, when i heard a player in a bush nearby the hospital in Elektrozavodsk. I thought he was probably out to get me, so i emptied my Makarov clip at the bush and shortly after heard the fly noise they had put to mark dead players.

    As i searched his body with my heart pumping like crazy i found him to have nothing but a can of beans. I felt profoundly shitty in that moment because he was just like me at the time. Some new guy playing a tough sandbox multiplayer-game, where everything and everyone can kill you. He probably didnt even hear or see, where he got killed from, just like it happened half a dozen times to me before.

    I showed cruelty to someone in whose shoes i’d had demanded mercy.

    Fuck everyone pitching people to fight each other

  • Kind of feels disparate from it being a video game, but it’s difficult to really make this experience another way:

    I wanted to play a healer in an MMO. It was a shitty MMO, so healers could only be female characters wearing skimpy armor.

    Well, it took about half a minute until I had people walk up to me, to then just stop 3 meters away. From the way they were moving, I have to assume, they were working their cameras to look underneath my skirt, and probably doing so with only one hand.

    Some of them were sending me “hello :)” messages, which I guess is basic decency, if you’re going to use my body, but it felt weird, too, since we had nothing to talk about.

    All in all, it felt uncomfortable. And I did not even have to fear for them to start touching or even raping me. Plus, I was able to log out, delete my account and basically just leave all of that behind.

    Well, except for one thing I did not leave behind: I do not want to be the other side in that experience either.

  • For me it was playing Life is Strange for the first time. I bought it because it had been listed on Steam as “Overwhelmingly Positive” for ages, and at the time I was really enjoying the story-based games that companies like Telltale were producing. So, knowing nothing about the game, I picked it up and started playing it.

    The first act was slow. What I didn’t realize at the time was that the writers were establishing Arcadia Bay, a city in the Pacific Northwest, as a character. All the people in it needed to be recognizable, so it took time for them to teach the player about who they were, what mattered to them, how they fit in to the city, and what their flaws were. I actually stopped playing for a while after the first act. But, luckily, I picked it back up over the holiday season.

    I still remember playing it in my living room. I was so thoroughly absorbed into the story that when something tense happened in the second act and I couldn’t stop it the way I normally could, I was literally crushing the controller as if I could make things work by pulling the triggers harder.

    I am decidedly not the demographic that Life is Strange was written to appeal to, but they did such a good job writing a compelling story that it didn’t matter. I got sucked in, the characters became important to me, and I could not. put. it. down. I played straight through a night until I finished it.

    (If you’ve played it and you’re wondering, I chose the town the first time I played it.)

    I’ll never forget that game. I’ll also never forget the communities that spawned around it. I read the accounts of people who had just played it for the first time for about a year because it helped me relive the experience I had when I played it. It was incredible.

    • Yes, the scene at the end of Act 2 is what hooked me on the series. It’s a shame they didn’t do something similar at the end of Act 1, because so many people stopped playing due to the slow start.

      My most profound moment in those games was at the end of The Awesome Adventures of Captain Spirit. Even though it’s the smallest story in the games, that final dialogue put me through the floor.

    • For my Life is Strange 2 was so much more impactful. There’s actually multiple endings. A big part of the story is the relationship between the brothers, since I’m an older brother it just hit close. The ending I got was so bittersweet, it wasn’t all happy but it captured the reasoning behind my decisions in the game so we’ll. I was telling myself “this is so sad… but… it’s exactly what I wanted”

      There’s also a scene where you can come out of the closet to your dad. I was really blindsided by this, I came out to my parents before, the scene plays out in a really authentic way. I kept pausing the game to mentally process it, and kept rewatching it on YouTube right after. I just couldn’t believe it was real.

  • Disco Elysium was full of such moments for me. Here’s one:

    You spend a lot of time in the game basically talking to yourself and your inner voices, and one of these voices is volition. If you put enough points into it, it’ll chime in when you’re having an identity crisis or struggling to keep yourself together and it’ll try to cheer you up and keep you going. At the end of Day 1 in the game you, an amnesiac cop, stand on a balcony in an impoverished district reflecting on the day’s events and trying to make sense of the reality you’ve woken up into with barely any of your memories intact. If you pass a volition check, it’ll say the following line:

    “No. This is somewhere to be. This is all you have, but it’s still something. Streets and sodium lights. The sky, the world. You’re still alive.”

    This line in combination with the somewhat retro Euro setting, the faint lighting, and the sombre-yet-somewhat-upbeat music was very powerful. The image it painted was quite relatable for me. I just sat there for a minute staring at the scene and soaking it all in. Even though this is a predominantly text-based game with barely any cinematics/animations, I felt a level of immersion I had rarely, if ever, experienced before.

    Oh, look at that. Someone actually made a volition compilation. 😀 This video will give you a better idea of what I’m describing: https://www.youtube.com/watch?v=ENSAbyGlij0 Minor spoilers alert!

  •  Julian   ( @julianh@lemm.ee ) 
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    8 months ago

    It’s kinda cheating but The Beginners Guide is a game I think about all the time. As someone who makes things, the themes it explores about validation and the purpose for creating art really hit home.

    For just a profound moment, the sun station in Outer Wilds.

    HUGE spoilers

    It really marks a turning point in the game when you find that out. I assumed like most people that it was a classic tale of science gone wrong, and now I have to fix it. As a video game it’s also really easy to assume that your goal is to fix everything - to save the solar system. But there is no villan, and no solution. You and everyone in the solar system will die and there’s nothing you can do about it. It’s a really powerful subversion of expectations that works well with the games themes.

    •  pchem   ( @pchem@feddit.de ) 
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      8 months ago

      Outer Wilds had so many profound moments, imho. Just listing a couple more:

      Spoilers, obviously
      • The core of the interloper
      • The dead Nomai in Dark Bramble (two of them in an embrace, iirc)
      • The messages from other Nomai tribes in the Vessel
      • Having to remove the warp core from the ATP
      • The number of loop iterations in the probe tracking module
      • The ending of the DLC

    • I think the first time I read the board in the sun station I decided to just stay… Wait it out as it was inevitable. I ran around trying to find anything I missed for a while but eventually stopped and just looked out the window. It was always over, but at least I’d have, for one loop, the best seat in the house.

  • This will date me, Missile Commander. When you lose the game doesn’t reset, you had to reset it. So if you don’t you just see dead cities on a screen, with silence. This was right about the same time I saw War Game. The only wining more is not to play.

  •  wolf   ( @wolf@lemmy.zip ) 
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    188 months ago

    X-COM (from the 90’s, not the remake):

    I totally sucked at playing X-COM and died a lot, until I learned about real world squad tactics.

    In X-COM, the members of your team can get scared/lose it, and behave in random ways like throwing away their weapons/fleeing the fight or just going berserk and shooting around.

    So, after I improved my game with my newly acquainted knowledge of real world squad tactics, I had a terror mission. Terror missions are missions, where the aliens attack and which are harder than the other missions.

    I managed to survive the load out from the helicopter and kill nearly every alien on first contact, thanks to very careful and orchestrated movement of my squad.

    There was one alien left, I tried to shoot it several times from a distance, and of course (this being X-COM after all), all of my shoots missed…

    … THE ALIEN STRESSED OUT AND BERSERKED…

    I didn’t even know that it was possible. After weeks of loosing and frustration, this one moment is the most satisfying moment of my entire gaming history (more than 30 years now).

    Haven’t found any modern game, where this would be even possible!

    Mandatory link to OpenXcom

    • of course (this being X-COM after all), all of my shoots missed…

      Oh gods the hit probability was just such an irritating mechanism; you could practically have your gun’s muzzle on an alien’s forehead and still manage to miss several times with 80% chance to hit.

  • Dark Souls

    Not a specific moment but there’s been plenty of essays written on how that game has enabled people to lift themselves out of dark places in their lives. There’s a catharsis in the repetitive nature of the game and perseverance to “git gud”.

  • Red dead redemption 2 for sure. It’s hard to pick because there are a lot of profound experiences in that game. The part where Arthur is riding back after Guarma when d’angelo starts playing definitely stands out. It just made me think about how some people just get trapped in these shitty situations that are just tragic. It’s easy to say what you would / wouldn’t do in that situation but the gang were Arthur’s family and it’s not that easy to just walk away from the only community you have and the only life you’ve ever known.

    • The writing in RDR2 is just incredibly good, and Rockstar’s engine, the meticulous level building, and fluid animation seal the deal. It really felt like a movie that I could play, in a much more meaningful way than eg. Quantic’s games.

      It’s honestly a bit hilarious how antiquated Starfield looks and feels and how stiff the animation still is compared to RDR2, considering it’s… what, 6 years old? 5?

  • Journey by thatgamecompany - it is difficult to put into words what it is exactly that I experienced, and I think every person’s take away will be a bit different, but there is a profound and overwhelming experience to be had with that short but wonderful game.

    Firewatch has a turning point in its story which hits like a truck, and is very grounding. It takes a story which has felt almost whimsically frightening, and brings it much closer to home emotionally.

  • When I was 13 a friend of mine and I spent the whole summer after swimming at the trailer park pool playing Super Mario 3 until we beat it. We did a deep study of the game together and beat it together. First platform I ever beat and first gay sex I ever had to help me out in the orientation department. 1988 was a nice year for me. I haven’t lived in a trailer park ever since, but the community swimming pool was nice.

  •  TWeaK   ( @TWeaK@lemm.ee ) 
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    138 months ago

    Playing Elite Dangerous a few years back, I bought this little jerry-rigged thing called an ED Tracker. It’s an Arduino with some accelerometers and a magnometer, basically the same sensors as a Wiimote, and it tracks yer 'ed. Much cheaper than TrackIR or other commercial solutions. Strap it onto some headphones or a hairband and with some software it models itself as a joystick, so I could look around the cockpit and target things I looked at, as well as look to the side to pop up ship and navigation menus. But the best bit was flying around a station with an orbital ring. I matched my velocity and pitched down slightly, then looked up at all the habitat areas. The graphics weren’t perfectly amazing, but the sensation of just flying around in 3D and seeing everything was so overwhelming I actually had to stop playing for a few minutes. It was the kind of thing I’d dreamed of video games letting me do since I was a small child.

  • Echoes of the Eye expansion to Outer Wilds. I managed to avoid all the spoilers, watched some playthroughs but thankfully didn’t study them too closely. Importantly, the streamers never looked “up” during the parts of the gameplay that I’ve seen, so to me it appeared just like another normal environment (well, normal at least by Outer Wilds standards). I already loved the original game, and decided I must play this for myself.

    So when I entered through that doorway for the first time I was genuinely stunned. “You fuckers, you really did it this time. You actually went ahead and did it!” I mean…

    spoiler

    Space habitats have always been a staple of science fiction novels, and they have appeared a couple times in video games already, like in Mass Effect and Halo, but there they were only used as background - the actual playable area was limited. Never before this had anyone successfully implemented a life-size Bishop Ring with the full “You see that mountain? You can walk there!” boastfulness. And sometimes that mountain is on the ceiling. And when the water breaks, oh boy…

    • God I just loved the puzzles that can only be solved by it falling apart. And the message of little actions matter even if much further down the line? I still love that game so fricking much.

        • Oh I immediately loved the full control of the space ship and after zooming around low atmosphere for a while really took to just flying it around and have even landed on the sun station manually a couple times. Pressure was fine but man the time restraints got me screaming a couple of times that I just needed another minute or two… But that’s the point. You don’t have control over that. It’s a lot about letting go, you’ll come back around to try again.
          (But man the twin planet timing sucked so hard for so many respawns)