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Joined 3 years ago
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Cake day: July 20th, 2023

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  • I don’t care for a 5 second boot time instead of 8, but I understand the desire to work towards a sub 1 second type of boot, even if it’s still farcical. We are surrounded by other tech like laptops, phones and TVs which go from standby to on in an instant, and as a PC user, where one puts personal stake in their PC being on par or better, chasing minimal times here matters.

    I’m sure many people know the feeling of their Linux PC or pride of place mechanical keyboard modded ThinkPad suddenly looking crap to a casual tech user with a different understanding of what quality means. While the MacBook user may never gain the features of your device, you may theoretically beat them at their preferences, because you can technically do anything.

    I’m eyeing up an oled monitor upgrade in the next few years. When I get it, I’m gonna use an old raspberry pi to basically make a simple, lightweight dupe of my PC desktop, then use a HDMI switch to have the oled screen have an instant useful boot while the apC actually boots in the background. My desk doesn’t face a part of my apartment otherwise used, so I may get a motion sensor too, so being at my desk turns on the pi’s “always on” display, which has the dual purpose of obscuring the PC boot. I don’t need this in any way, but it’ll feel 𝓈𝓁𝑒𝑒𝓀, and I want that.





  • I went into this lukewarm on Nolan and a massive nerd for The Odyssey, so I was primed to be unhappy with any unfaithful choice, but honestly I was absolutely blown away.

    One thing that stood out to me would be the general interpretation that the sea people causing the bronze age collapse was actually the declining of an honour code that is seen in the ancient greek laws of hospitality. I’d often thought about the tonal shift between the age of heroes and the Illiad onwards, how the Caledonian Boar Hunt may have been the last key event of Heroic age, and by the end of The Oresteia and The Aeneid, the early identity of the post-bronze-age collapse Mediterranean societies are visible. The sea people concept is largely debunked now, and the collapse is generally considered to be a mix of famine, climate disasters and most importantly the collapse of relationships between the east Mediterranean states.

    Nolan then taking this as Odysseus’s fear of travelling home, a changed man, to a world he changed for the worse, is particularly powerful, and his take on Athena as a manifestation of this guilt at breaking Zeus law and witnessing a very real rape and pillage of the city due to his subterfuge was good. I also think that Zendaya was very likely this interpretation’s version of Cassandra too, which is neat.

    I went into the film already guarded against the visual style. I’d have loved to have seen an authentic approach at bronze age style from talented art directors and production designers, and I had similar feelings about the muted and gloomy colour palette. I still have these feelings; everyone looked like a monochrome Roman, not even a classical Greek, but seeing the direction as a whole, I understand the choice. The somber narrative, editing style, soundtrack, etc, all serve the same tone that the muted and stripped by colour and art style do.

    That said, I’m shocked at the lack of spears in this film. Everyone fights with short swords and no shields, which is basically a Hollywood fantasy in any time in history, but this is the iconic era of spears. I counted one use of a spear, despite several war scenes, and almost every death at the hands of a weapon would have been prevented with a shield.

    As a fun side fact, people who play VR combat games like Blade and Sorcery often start using swords and default to spears and clubs, because they’re incredibly intuitive to untrained people compared to swords, which have a far more tactical skill ceiling, making them the default of soldiers right through the era of knights with swords.

    Another fun side fact. Ajax, a 5th Century BCE poem about the PTSD driven suicide of Ajax the Greater towards the end of the Trojan war, was performed to 500 marines in 2008, I think by Al Pacino, Donald Sutherland, and Michael J. Fox, and was remarked to resonate incredibly strongly with the audience. Myth from the Trojan was onwards suddenly really cares about consequence, particularly in regards to the human condition.

    My other pet peeve is the sound design of the weapons (Odysseus’s incredible bow string sound excluded). This was a very ‘swish and pew’. Back in the early 2010s, I stumbled across a Skyrim mod that changed the bow sounds (example here) and I was amazed how much more satisfying it was, not just from a realism point, but just a pleasant resonant heavy sound, like how shooter games have hit marker sounds. Not just was every launched arrow (including from Odysseus) very whistly, but so was every sword swing. For a film with otherwise incredible sound design (so good I’d peg it for winning the oscar this year), every fight was a bland cartoony swish fest.

    I also thought the massacre of the suitors was a little bit unwarranted in it’s action set piece style. It makes sense that a trained warrior king who spent a decade in a bloody war would be a better combatant and a bunch of immature suitors, but I think it just overstepped my suspension of disbelief a few times, in a way the monsterous and magical elements didn’t.

    My closing thought is that this may be one of the best adaptations of Greek myth at all. It’s ability to take the tonal shift that is the Trojan war and its concluding breaking of Zeus’s Law and the sack of the temple of Athena, pointing that to the beginning of the end of Mycenaean Greece, and its neighbours, and then tying that so incredibly to Odysseyus’s character arc and PTSD is so well done. The fact that my cirques are so specific and nit-picky is a testament to the strength of this film.



  • I’ve been super happy with the fairphone 6 after being on various flagship and second grade Samsung phones for a decade.

    I’m slightly saddened that my out of the box customisation options are so locked down compared to Samsung, but I’m also aware that the average fairphone buyer is more primed to root and alter their phone due to being on the edges of hobbyist tech. I also miss wireless charging, I’d say I was 50/50 between using wired and wireless charging, with all my cool home automation linked to when I started wireless charging at certain home stations, and wired equivalents just don’t hit the same spot.

    That’s literally my only gripes. My battery’s health seems to have performed better in the year since I got it than my Samsung phones did, and everything else is totally comparable. I’m one of the few people who likes Bluetooth headphones so I don’t mind the lack of a headphone jack.


  • I’ve seen quite a lot recently saying a particularly distracting aspect of phones isn’t that they’re a screen and a visual stimulus, but a tool and a haptic stimulus.

    An increasingly popular way to combat checking your phone while watching TV is to busy your hands with something. If this works and is widely adopted, we won’t need shows to have second-screen writing repetition; our brains tell our hands to use the tool, and it just so happens that the tool is full of text and speech and occupies the language center of our brains, meaning we stop listening to the show.


    Also, a whole separate thing I often think about, before 2010, there were very few high budget TV shows. TV was made on a much smaller budget than film, and the writing often took a hit too, and that was just the reality of watching TV. They were also designed to hook people who were clicking around channels with lots of recaps and narrative refreshers, for people tuning in halfway through, this is like the second-screen writing issues we complain about now on steroids, straight to TV movies were also terrible for this.

    Movies that were designed for Cinema revenue weren’t impacted by this or course, but even DVD revenue movies often have simpler plots and reiterate their narratives for people who are half watching while chatting or stoned or whatever.




  • Without arguing politics, the world is sliding very quickly towards facism and being on guard against it is incredibly important. I’m not buying a laptop and putting money in the pockets of someone who may then donate to or fund facism. None of that applies to a developer of a free open source software whose political ideal world is not rapidly approaching.



  • Making it up as you go along isn’t inherently bad. Nine times in ten I prefer a story which is planned out but basically any medium that’s open to additional seasons, novels, sequels, etc is capable of falling into this category.

    It’s only really a sin when the medium promises a long form mystery while doing this, hence the fact Lost is #1 here. Sherlock Holmes was written as episodic mystery and Arthur Conan Doyle clearly never planned future stories as he went and nobody minded. Togashi, the manga author for Hunter x Hunter stumbled into his most famous arc just because he’d made his metaphysic and societies up as he went and the stars aligned, leading to the Chimera Ant arc. The Simpsons rarely ever changes it’s status quo between episodes, and therefore can be made up as it goes along, because it’s going nowhere. Breaking Bad literally changed the ending of season one to not kill Jesse partly due to the writers strikes and subsequent shortening of the season, and Mike as a character exists because Bob Odenkirk was busy.

    Any medium that decieves the audience, promising a well reasoned, long form mystery without any planning of what that mystery is, is bad. Perhaps you’ll strike gold and have an epiphany as to how to bring the plot together perfectly, but that’ll just be luck. Ultimately this is an expression of consumerism; baiting the expectations of art and narrative to deceive the audience for nothing more than engagement, and therefore money.



  • Coming from the UK is correct, it was literally an artistocratic flex at having literally useless land. I read a dissertation a few years back that also linked this to a Baudrillard style simulationist desire for the upper class not to see land with any practical value immediately besides their homes because they were resistant to accept that their wealth was exercised from any real action, and instead they’d pretend it was just a truth. But beyond the lawns were forests and fields, because they had to exist.

    When lawns were adopted by the bourgeoisie, who only had half an acre of property, it was already trendy to have the surrounding acres of the house be only lawn. The bourgeoisie simulation was to have the house surrounded by lawns as if it were to then give way to fields and forests, which of course did not exist, just your neighbours equally ugly plot of land.

    What I never understood about all of this though, is that gardens are equally cosmetic vanity. I have fond memories of the garden of my grandmother, which has a small greenhouse and two raised vegetable beds at the back, but everything else was flower beds, a pond, a summer pavillion, a small lawn, a shed and a scattering of trees and bushes. Other than the small sections for growing vegetables, it was all entirely for vanity. But it was beautiful. Hell, the small lawn was even pretty functional as the primary place to set up chairs in the sun and play ball games.

    I am British, and once this island was forest and mountains from shore to shore, with meadows and plains being rare. The lawn never made sense here, and caught on less in in the Soviet Bloc as plains become more common in nature. America is a land with far more natural plains, and the lawn is further removed from it’s original status. It’s imitating an imitation of a denial of reality, Baudrillard would have a field day.

    But I did mention, in my grandmother’s garden, playing ball games on the lawn. American sport is largely built on the suburban madness that is lawns. I’m not talking about sport born in urban centers like basketball, or sports from true rural areas, which I can only assume is rednecks drink driving, if watching US shows has told me anything, but Baseball, American Football and even golf are sports made for lawns. It’s hard to detangle lawns from middle class America without stopping middle class kids play sports in their gardens.

    One day they’ll add vegetable gardening to the Olympics and America will be saved, and Joseph McCarthy will be stuck in hell on his fucking lawn.




  • I’m actually quite fond of a large screen, but it’s not enough of a selling point for me to not go for this as my next phone. I have large enough hands that I don’t struggle with reach on a large phone, so the main drawback is the additional battery power. But the fairphone has a swappable battery anyway, so that issue is more or less nullified.

    My pet peeve is the front camera, I cannot wrap my head around the lunacy of having a large dead spot on the front of the phone, to the point I’d rather have a phone with no front facing camera than a big dead spot. People throw out screens for less.

    Fairphone is almost the ideal phone for me, except this, and although I can probably remove the camera module, I can’t swap the screen for one without the dead patch.


  • Also I actually have less of an issue with other people buying Gaiman’s work. I have no love for the man and won’t buy anything myself again, but if you buy something of his, the money goes to him, and stops there. Rowling directly funds bigotry; the money people spend on Harry Potter is in a direct pipeline to funding the suffering of innocent people.

    At the very least, before everything happened with Gaiman, he was known for having positive philanthropic ventures. Even if you gave him money, a sizable portion went to him, another portion went on to better the world. I’d presume he still supports these trusts and charities too.